For many centuries people have both painted and collected fine art, and it is still a very popular activity despite the digitally influenced art-world of modern times. There is nothing that can be compared with an old piece, particularly if it is in a good restored state. There is a certain glow, miraculous connection as you look at a painting or a frame which is over 300 years or even 50 years old. The feeling cannot be described, but it’s as if your eyes draw you into the history in front of you. Paints and varnishes change their chemical structure over time, and the older things give the impression of compositional depth and dimensional intensity.
The first priority of an art restorer is the conservation of an object coming into the studio, to protect that glow of time which cannot be compared with any newly produced or imitation piece. After ensuring that the piece is well preserved and will not deteriorate further, it is up to both owner and restorer to carry on with any further restoration, like repairing cracks and holes, touching up and sealing, so the item is brought back to the original glory intended by its original creator.
